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  • Definition of Enactive in the Legal Dictionary - by Free online English dictionary and encyclopedia. What is Enactive? Meaning of Enactive as a legal term. What does Enactive mean in law?. — “Enactive legal definition of Enactive. Enactive synonyms by”, legal-
  • Enactive Interfaces are inspired by a fundamental concept of "interaction" that has not been exploited by other approaches to the design of human-computer interface technologies. Mainly, interfaces have been designed to present information via symbols, or icons. — “IPCity " ENACTIVE/2006”,
  • Although there is a great deal of research in the field of advanced HCI that concentrates on making life easier, the Partner We approach this problem by developing enactive/constructivist-inspired software, hardware, and biological. — “Partner Technologies Research Group”,
  • Definition of Enactive in the Online Dictionary. Meaning of Enactive. Pronunciation of Enactive. Translations of Enactive. Enactive synonyms, Enactive antonyms. Information about Enactive in the free online English dictionary and encyclopedia. — “Enactive - definition of Enactive by the Free Online”,
  • Enactive definition, having power to enact or establish, as a law. See more. — “Enactive | Define Enactive at ”,
  • Enactive Walkway is a reactive installation that examines the intersection of cognition, embodiment and human experience. The shifting ground of the Enactive Walkway destabilizes the body, encouraging. — “enactive - enactivewalkway”,
  • Definition of enactive from Webster's New World College Dictionary. Meaning of enactive. Pronunciation of enactive. Definition of the word enactive. Origin of the word enactive. — “enactive - Definition of enactive at ”,
  • 3rd International Conference on Enactive, 20-21 Nov 2006, Montpellier, FRANCE. — “Enactive 06 - 3rd International Conference on Enactive Interfaces”, enactive2006.org
  • Enactive knowledge is not simply a multisensory mediated one, but knowledge stored in the form of motor reponses and acquired by the act of "doing". It is a form of cognition inherently tied to actions, as in the handcrafter as way of knowing. — “ENACTIVE”, vrlab.epfl.ch
  • , Search the web and find what you are looking for with OXiDE Search! Live Life Through OXiDE!. — “Welcome to ! Search Results Powered by OXiDE”,
  • (from the conference website) Enactive / 07 is an international scientific and cultural event, promoted by the European Network of Excellence ENACTIVE and organized by the ACROE-ICA group, from INP-G. It will be held in Grenoble (France) on November 19-22, 2007. — “enactive_interfaces : Positive Technology Journal”,
  • Enactive Interfaces are related to a fundamental "interaction" concept which is not exploited by most of the existing human-computer interface technologies. On the other hand, ENACTIVE knowledge is a form of knowledge based on action for apprehension tasks. — “Enactive 05 - 2nd Internation Conference on Enactive”, enactive2005.org
  • Enactive cognitive science is the mode or perspective for cognitive studies proposed and propounded by Francisco Varela, Evan Thompson, and Eleanor Rosch in their 1991 book The Embodied Mind. Enactive cognitive science is presented as a third alternative to the currently-prevalent. — “FOCUS: Enactive Cognitive Science in Context”,
  • This paper compares the disciplines of Enactive In- terfaces and Tangible User Interface design with the aim theories of enaction, a new type of "enactive tangible. — “Towards Tangible Enactive-Interfaces”,
  • Enactive Dialectics. This project stems from a collaboration formed through the European Mobile Lab for Interactive Media Art (e-MobiLArt), which brought together artists from across the globe working with transdisciplinary art/science practice. — “Enactive Dialectics”,
  • The Enactive knowledges of entities are the ones acquired by doing. Enactive Knowledge is information gained through perception-action interaction in the environment. — “Enaction - Wikipedia, the free encyclopedia”,
  • Enactive / 07 is an international scientific and cultural event focused on Enaction and Enactive Systems. It will be held in Grenoble (France) on November 19-22, 2007. — “ENACTIVE / 07 .... Enaction_in_Arts”, acroe.imag.fr
  • En·act·ive a. Having power to enact or establish as a law. enactive. Dictionary: En·act·ive. Home > Library > Literature & Language > Webster 1913. a. Having power to enact or establish as a law. Abp. Bramhall. — “enactive: Information from ”,
  • Join the ENACTIVE Network. Dear Guest, to learn more about the Enactive Network of Excellence please click on the "Register now" botton on the top and sign up: you will have the opportunity to read our scientific publications and have access to the ENACTIVE Lexicon. — “Enactive network - Home”,

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  • ENACTIVE2005 2nd International Conference on Enactive Interfaces Index JPG PICT1720 JPG
  • patchevnl custom size 672 645 jpg
  • box on the left side of the screen enter the check in and check out dates At group code enter ­COG Proceed with room type selection and reservation Directions By air Orlando International Airport MCO is the nearest airport Taxi from the airport to UCF and hotel is approximately $50 Driving from Airport 20 miles go east on 528 to 417
  • Click the map for a printable and enlarged version in pdf format Research Park
  • botbodiesbig jpg
  • ET3 unveiled et data
  • Interacting with the Enactive Torches Experimenting with perceptual crossing More news coming soon
  • ALva Noe The enactive approach to perception an introduction veículo Livro
  • exploit captured motion from the CMU database CMU on which we evaluate the computing cost of managing anticipated collisions within the Inverse Kinematics motion capture loop Fig 2 Smoothing collision with Inverse Kinematic Our approach relies on the concept of observers introduced in PBLM05 An observer is a geometric primitive point sphere segment cylinder
  • on off Anytime you can turn an Arduino board L E D on off you can turn a SSR and many heavy duty AC things on and off The following diagram demonstrates an easy way to do this
  • Research Park
  • ET3 unveiled et3 small
  • revisit subjects while moving from enactive to iconic to symbolic levels this challenges the lamentable dumbing down which results from underestimating what and how children can learn It was a pleasant surprise to hear that a man who had risen to fame in the post Sputnik era was still alive let alone able to travel to Glasgow and perform in public Yesterday he held 800
  • The Enactive Walkway is a reactive installation that examines the intersection of cognition embodiment and human experience Designed for public spaces the project explores the concept
  • Proceedings of Enactive 06 and conference pictures now on line
  • The accelerometer patch below > Accelerometer > C U I > Max Data smoothing and mapping > Pulse width modulation messages >
  • In this page you can find audio links to talks and discussions recorded at the Workshop on Enactive Approaches to Social Cognition Day 1
  • Training Simulators A brief review of tested contact models is also presented Finally some experimental results are depicted and compared to a cost effective solution using a dSPACE back
  • vision of creative people from all over the world on that topic Supported by IMEC and collaborations from MOMA NY Design Incubator centre Singapore Domus Academy Italy and many more Cover of Ad dict 27 The article refers to Tom s presentation of the Enactive Torch at
  • I am editing a special double issue of Cognitive Systems Research examining the overlapping concerns of extended distributed enactive and embodied cognition The list of contributors are
  • In the detailed map below the Psychology Building in 99 The Live Oak Room is 7a Click the map for a printable and enlarged version in pdf format

Videos
related videos for enactive

  • Enactivism and Physical Education An enactive approach to teaching Physical Education.
  • Sensory augmentation with vibrotactile feedback - advice needed! I have a BASIC Stamp 2 micro-controller, a PING))) ultrasonic sensor, and a motor from a PS2 controller which vibrates when activated. How do I connect these, what additional parts do I need, so that the intensity of the PS2 motor's vibration co-varies with the distance measured by the PING))) sensor, in a continuous fashion?
  • Objectivity Evan Thompson (individual.utoronto.ca and Francisco Varela (
  • Re: Elan Vital, Explanation and "Pan"-theory I think the comparison between 'elan vital' and the experience of panexperientialism is spurious, because the 'life force' is conceived of as a substance which gives matter its form, whereas panexperientialism (as a component of a process ontology) rejects substance all together (whether mental or material). As far as circular reasoning goes, I could just as easily say that the materialist attempts to explain experience by saying it is material. This can never be proven empirically, of course (because the outward facing senses can only presuppose experience in their evaluation of the exterior world). Also, if you watched my last video (The Enjoyment of Matter), you'll hear my argument for why materialist explanations of biological evolution are circular: they claim that the motivation for life is 'survival,' when survival is simply a synonym for life. Life is survival. No explanation here. If we want to explain why organisms survive (and why evolution can take place), I suggest we consider: because they enjoy life. About the question concerning green, Evan Thompson and Alva Noe have written beautifully on how to navigate the terrain between objectivist theories (color is wavelength) and subjectivist theories (color is neural pattern) by pointing to the co-evolutionary emergence of the color of various features of the biosphere and the participatory (or enactive) way in which color arises. See: Concerning interaction between material and mental aspects ...
  • walk one | braemar/balmoral scotland (2009) | Screendance i was walking in the scottish highlands and forests last year, 2009, and it occurred to me to not just shoot my pov, my seeing the landscape but the action of walking, the proprioception of the action, the affordances, being aware of perceiving, a hyper reflectivity, a phenomenological approach. i wanted to capture not just my body undergoing the affordances but my eyes as well. alva noë refers to this as an "enactive approach" or "behaviour". i wanted to see if i could stimulate all the senses - sight, sound, touch and smell. the eyes and other senses working in a synesthesia. above all i noticed a tactility of my eyes as if they were touching the grass, rocks and trees. i felt wholly immersed in this activity. i noticed how all my senses constantly adjusted to the environment and how i responded physically as well as to what i was thinking - a symbiosis, an interactivity. my next question was how best to capture this. sometimes my camera was in my hands, balanced on my head, dropped or held close to my body in order to try capture the kinaesthetic, the visceral, capturing how we really see when we walk. not just capturing and framing an objective pov. then standing still and listening, observing how the eye of the camera focuses, on objects, making connections with thoughts, prompting thinking, the imagination, making deeper connections. finally listening. in silence the video has no sound making one just observe the camera focusing and adjusting. the cogs in the camera ...
  • Is consciousness subjective? A response to some of 0ThouArtThat0 points raised in the following videos: I briefly skim over what I think are some of the main differences between the views held by ThouArtThat and myself. Highlighting perhaps some issues for further discussion. I agree with a panexeriencial ontology but do not think it provides enough useful insight to distinguish "entities" that we consider conscious from "entities" that we do not. The following paper poses some views that perhaps we both agree upon. And is partly influenced by panexperiencialism, enactive/sensory motor/embodied approaches, functionalism etc. (Do not let the neo-realist label put you off too much! There are a few important issues raised here!) Oh and a brief point I mentioned about patterns and set theory:
  • Evan Thompson's Enactive Body-mind (part 3) body schema, body image
  • Affect-responsive interactive photo-frame pt. 2 Presentation at the eNTERFACE'10 workshop at Amsterdam.
  • Merleau-Ponty on Organisms as Autonomous Systems & Motor Intentionality from Merleau-Ponty's earliest, major work, "the structure of behavior" (1935/1963 p. 13) -- if you want to read along, this passage is quoted in Evan Thompson's book 'Mind in Life': [ ] Already watched my last video on Merleau-Ponty? I'd skip to the 5:11 mark. The reading starts around 7:55
  • ALTER BODY - 2008 Date: 2008 Lab: VRLAB - EPFL URL: iig.epfl.ch vrlab.epfl.ch Researchers: Damien Maupu, Ronan Boulic Description: This work has been achieved in the framework of the European Union Network of Excellence "Enactive Interfaces". The goal was to assess the importance of scaling the virtual environment when controlling an avatar that may have a different body height. The study shows that the avatar control is much more effective when working with a third person viewpoint in front of a large immersive screen rather than with a head-Mounted Display.
  • Evan Thompson on Consciousness (I-II) speaking at the Mind and Reality Conference at Cambridge in 2006
  • Sculpting Behavior: Developing a Language for Hands-on Learning (January 16, 2009) Hayes Raffle of Nokia Research presents the Topobo system, a class of tools that helps people transition from simple but intuitive exploration to abstract and flexible exploration. Children use Topobo to transitiion from hands-on knowledge to theories that can be tested and reformulated, employing a combination of enactive, iconic and symbolic representation of ideas. Stanford University: www.stanford.edu Stanford Center for Professional Development: scpd.stanford.edu Stanford University Channel on YouTube:
  • The Voice Painter - A Multimodal Interface for Painting with Voice the Voice Painter is a multimodal interface for painting with voice. It has been developed at University of Padova (Italy) by the Sound & Music Computing Group. The tracking of the user position is performed with an 8-microphones array. The voice features are mapped into graphical features according to a "phonestetic" mapping function.
  • Affect-responsive interactive photo-frame pt. 1 Presentation at the eNTERFACE'10 workshop at Amsterdam.
  • Gamelunch (Enactive 2007) Sonically augmented dining table. While performing usual dining movements, such as cutting and slicing, dressing the salad, pouring beverages, the user encounters contradicting and unexpected sound feedbacks, thus experiencing -- per absurdum -- the importance of environmental sounds in everyday-life acts.
  • Enactivism (nuts and bolts) A short intro to Enactive cognition.
  • demo of thesis compensator on test-bed -A.Masih Hosseini Hosseini, Ali; Artigas, Jordi; Preusche, Carsten; Brunberg, Anja; Hirzinger, Gerd (2008): Online Passive Reconstruction -Based Bilateral Control under Time-Varying Communication Delay and Packet-Loss. In: 5th International Conference on Enactive Interfaces, ENACTIVE, Pisa, Italy
  • How We Think with Bodies and Things (May 7, 2010) David Kirsh, Professor of Cognitive Science at University of California-San Diego, discusses the concept of enactive thought and provides data from extensive ethnographic studies and a few simple experiments to prove that it exists. Stanford University: www.stanford.edu Stanford School of Engineering: soe.stanford.edu Stanford Engineering Everywhere: see.stanford.edu Stanford University Channel on YouTube:
  • ENACTIVE Emotional body animation for Virtual Humans, a project developed by MIRALab under the ENACTIVE framework.
  • 3D VIRTUAL CALLIGRAPHY - 2006 Date: 2006 Lab: VRLAB - EPFL URL: iig.epfl.ch vrlab.epfl.ch Researchers: Damien Maupu, José Rosales, Ronan Boulic and the painter Muma Description: we have explored a new type of light painting interface in the framework of the European Union Network of Excellence "Enactive Interfaces". Full body movements are exploited to created 3D entities with either ribbon, tube or spray. The entities are visualized on a transparent canvas.
  • Sense and Motion This is kind of a follow-up to my last video when I was talking about the way that metaphors drawn from the different sensory modalities; sight, hearing, taste etc. are used in an organised way to refer to different ways of understanding and expressing ideas. One aspect of this which is exercising me at the moment,(literally and metaphorically), is the role of motion as a part of our sensory engagement with the world. In order for any of the senses to operate at all the body must be moving. The eyes saccade in order to gather the 'news of difference' that underpins seeing; feeling the hardness or the texture of a surface requires the hand to move against or across it; hearing consists of the movement of tympanum, bones of the inner ear, fluids in the cochlea, etc.
  • Ecology Phenomenology Platonic Ideas Cosmology? pt 2 of 2 sorry both of these were way longer than they needed to be. continuation of:
  • Milos Sejn: World Within A World, 1988 Between 1983 and 1989, Milos Sejn made a set of about 50 processual scrolls. On long roles of paper or textile, he made impressions of natural surfaces and reworked them with the help of found materials and pigments typical of a given locale. Traditionally, the scroll was considered a material remnant of an 'interaction with the landscape', a record of an event or of a private ritual/dialogue with nature, a typical form of conceptual art. One can, however, interpret them as images of a landscape. In his processual scrolls, Sejn demonstrates that a representation of a landscape that we have 'under us' -the face of the terrain, a representation that originates from touch -is just as legitimate as a classical painting of a landscape. He teaches our senses to perceive the landscape in sculptural terms, unlike the ordinary landscape painting, which offers a view of scenery. The surface of Sejn's scrolls is first and foremost an impression of the horizontal face of the earth, a place of fixation of the building features or natural components that constitute the landscape in question. In addition, it can also represent the position of the individual observer within its frame. The result is a depiction that does not have the illusive quality of mimetic landscape painting, but that, in its way, offers a more complex account of a given place. In his processual scrolls, and in other similar formats (books -folding picture books), Sejn completes the transformation of the way the ...
  • Evan Thompson's Enactive Body-mind (part 1 of 3) Trying to understand Thompson's approach to consciousness in "Mind in Life"
  • Authors@Google: Rick Hanson Jesus, Moses, the Buddha, and other great teachers were all born with a brain built essentially like anyone else's. Then they used their minds to change their brains in ways that changed history. With the new breakthroughs in neuroscience, combined with insights from thousands of years of contemplative practice, you, too, can shape your own brain for greater happiness, love, and wisdom. Written with neurologist Richard Mendius, MD, and with a Foreword by Daniel Siegel, MD and a Preface by Jack Kornfield, Ph.D.,Buddha's Brain: The Practical Neuroscience of Happiness, Love, and Wisdom joins modern science with ancient teachings to show you how to have greater emotional balance in turbulent times, as well as healthier relationships, more effective actions, and greater peace of mind.
  • Sound to Symbol An example of how you might move children from aural and enactive musical experiences to written notation.
  • Evan Thompson's Enactive Body-mind (part 2) forgot to talk about thompson's book in part one
  • Milos Sejn - On The Top Of Zebín Hill, 1988 Between 1983 and 1989, Milos Sejn made a set of about 50 processual scrolls. On long roles of paper or textile, he made impressions of natural surfaces and reworked them with the help of found materials and pigments typical of a given locale. Traditionally, the scroll was considered a material remnant of an 'interaction with the landscape', a record of an event or of a private ritual/dialogue with nature, a typical form of conceptual art. One can, however, interpret them as images of a landscape. In his processual scrolls, Sejn demonstrates that a representation of a landscape that we have 'under us' -the face of the terrain, a representation that originates from touch -is just as legitimate as a classical painting of a landscape. He teaches our senses to perceive the landscape in sculptural terms, unlike the ordinary landscape painting, which offers a view of scenery. The surface of Sejn's scrolls is first and foremost an impression of the horizontal face of the earth, a place of fixation of the building features or natural components that constitute the landscape in question. In addition, it can also represent the position of the individual observer within its frame. The result is a depiction that does not have the illusive quality of mimetic landscape painting, but that, in its way, offers a more complex account of a given place. In his processual scrolls, and in other similar formats (books -folding picture books), Sejn completes the transformation of the way the ...
  • Enactive Dialectics Installation of Enactive Dialectics at The Rondo Gallery Katowice, Poland 28th October - 15th November 2009.
  • Enactive Cognition Old paradigm assumed the physical world was "out there" and that the brain represented it in some internal neural language. New paradigm sees that the nervous system is autopoietic (self-making) and therefore organizationally closed. What we know about the world has to do with how our own internal structures organize themselves (ie, the brain is self-organizing!), not with how a pre-existing world is represented. www.univie.ac.at "...the enactive approach consists of two points: (1) perception consists in perceptually guided action and (2) cognitive structures emerge from the recurrent sensorimotor patterns that enable action to be perceptually guided. The overall con- cern ...is not to determine how some perceiver- independent world is to be recovered; it is, rather, to determine the common principles or lawful linkages between sensory and motor systems that explain how action can be perceptually guided in a perceiver-dependent world." -- Varela, Thompson & Rosch 1991, p. 173
  • Ecology Phenomenology Platonic Ideas Cosmology? pt 1 of 2 First I ask: How might one weave or "blend" together an ecological-biological oriented ontology/phenomenology, with something like Plato's theory of ideas? How can we properly understand what Plato and Anton point to (these pressing concerns which we share) -- must we say the Ideas are really neural tissue, or is there some other sensible way of going about this? Should we at all?
  • Enactive cognition and free will? ""The robber of your free will," writes Epictetus, "does not exist" I would just add that neither does your free will. Paraphrasing Alan Watts about what it feels like after the free will v. determinism problem goes away: "It feels as if everything were myself, or as if everything—including my thoughts and feelings—were happening of itself. There are still efforts, choices, and decisions, but not the sense that 'I' make them. They arise of themselves in relation to circumstances." A blog with a bunch of Buddhist's trying to come to terms with life without free will:
  • pebblebox Many interactions with physical objects are physically or perceptually similar. For example, the experience of shaking a container of ice cubes shares many perceptual qualities with that of shaking a container of pebbles, or ball bearings. All are objects of a similar size and hardness, properties which give rise to similar auditory and haptic (inertial) percepts when they collide inside the container. Moreover, these similar physical properties also define the kinds of gestures that are possible. In the case of the example above, one can imagine reaching into the container and shuffling the objects or even removing some of them, or holding them in ones hand. In this sense we may say that the physics of an interaction defines its gesture space. In this work, which is carried out in the context of the European Union project Enactive, we seek to exploit the tacet knowledge of the behaviour of physical systems with well understood auditory and haptic percepts (collision, friction, etc.) to design new musical instruments.
  • Enactive Development An enactivist approach to the evolution of consciousness.
  • Hand and Eye Like the hand, the eye must be in constant motion if it is to function. In a sense, the eye 'feels' its way around the world in an enactive, intentional way.
  • Evolution and Development (Re: Enactive Development - Silversoul7) Response to Silversoul7 This probably comes off as unnecessarily pedantic but I'm trying to protect the concept of 'evolution' from what I see as slippage in its application. Many of the structures you refer to and the terms you use are incompatible with evolution as it is usually understood. These include references to 'higher stages', 'tiers', 'levels', being 'pulled up', being some 'stages ahead of the culture', etc. Evolution is a very specific process which works solely in terms of the degree of fit between an entity (usually an organism) and its physical or social environment. There is no absolute set of values, represented as levels in a hierarchy, that evolution corresponds to, including the humanist and interpersonal values that constitute moral behaviour. Not only is it highly unlikely (in my opinion) that one individual might have a more evolved consciousness than another, but there is no justification for saying that a more public-spirited 'moral' consciousness is of any more value in evolutionary terms than one which is selfish and egotistical. If the language of evolution is dropped and this is really a discussion about development it gets slightly easier, although there would still be the problem of identifying where the criteria for what constitutes the upper reaches of that development come from.
  • Solipsism Enactive approaches are not solipsistic because the world which is given rise to by our cognitive systems is shared with others. The language we speak and which forms the basis of all our thoughts about the world is a SHARED language.
  • Enactive, Creative Cognition Dr. Michael Wheeler expalins how strong version of the view that the brain is self-organizing systems oppose the traditional undrestanding of it as picking up and processing information.
  • ibridazioni: A post about Carlo Ratti TED speech and enactive cognition in design http://j.mp/iJd7x9
  • Life_Sciences_: Embodied Enactive Dance/Movement Therapy http://dlvr.it/QXPSK

Blogs & Forum
blogs and forums about enactive

  • “Hi, I am a new member to NASAGA and I am very much interested in the concepts of using Actors as a business training tool.I will be studying for a PhD at the University of Warwick, England this year (and the following 2) and am presently building”
    — Enactive, Embodied & Kinesthetic learning in Business - What,

  • “The Enactive / 07 conference will be held in Grenoble (France) on Enactive/07 is an international scientific and cultural event, promoted by the European”
    — SARC Forum / Enactive/07 .... Enaction_in_Arts Announcement,

  • “The first design principle to investigate is that of the enactive interface' enactive interface is one that utilises the users enactive knowledge'”
    — Multi-modal Interaction Design Techniques for Musical Interfaces,

  • “Today is Blog Action Day, where thousands of people have signed up to blog about the "environment". Since I have been idle some The Enactive Researcher and Learner (not Teacher ;). Or at least, as an influence maybe from the organization, you can become it!”
    — Notes from a Sustainopreneur | on Sustainability,

  • “Enactive Perception. The key element of the enactive approach to perception is that get into that here, but I will return to it in a later blog post”
    — SynapticNulship " 2010 " February,

  • “Home > News > The Enactive network forum. The Enactive network forum. The forum is down for Copyright © 2003-2007 Enactive Network, all rights reserved”
    Enactive network - The Enactive network forum,

  • “Enactive Cinema involves three factors: moving image, sound and emotion tracking. Rueb Texterritory v.2.3 The Brain Opera The Go Game The Roman Forum Project”
    — Networked_Performance — Live Stage: Enactive Cinema [Leicester],

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